Poster design concept
Als u memorabilia en verzamelobjecten wilt kopen, moet u er snel bij zijn. Wat vandaag in de verzamelaarswinkel ligt, kan morgen alweer weg zijn! Twijfelt u over een bepaald object https://dreaminjector.com? Schroom niet om contact met ons op te nemen. Stuur hiervoor een e-mail naar . Wilt u liever in onze winkel de collectie bekijken? U vindt ons op de Piet Heinstraat 113. Wij zijn maandag open van 13:00-17:30. Dinsdag t/m vrijdag zijn we geopend van 10:00 tot 17:30 en zaterdag van 11:00 tot 17:30. Tot en met kerstmis zijn wij nu ook op zondag open van 12:00 tot 16:00!
Fashion meets collectibles! Brands like Supreme, Louis Vuitton, and Bearbrick are partnering with renowned artists to release limited-edition items that blur the line between art and collectibles. These items sell out instantly, often reselling for 5-10x their original price.
Collectura is ook DE verzamelaarswinkel waar u verzamelobjecten kunt kopen in Den Haag. In onze winkel vinden cadeauzoekers, liefhebbers van collectorsitems en verzamelaars alles wat ze nodig hebben. Sinds 1967 verkopen wij, veelal uit eigen import, catalogi, literatuur, accessoires en collectables voor de verzamelaar. Bij ons vindt u catalogi over de waarde van postzegels, munten, speelgoed, LP’s, singles, keramiek, verzamelkaarten, movie/tv merchandise en nog veel meer.
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Film graphic
Two people with a lot of answers are Miraphora Mina and Eduardo Lima, aka MinaLima, the graphic design duo tasked with bringing the wizarding world of Harry Potter to life. Having worked on all seven films between them, plus the subsequent Fantastic Beasts movies, Mina and Lima have made history with their designs, with the Daily Prophet and Marauder’s Map being just two of many hero props crafted by their very talented hands.
“Eduardo and I totally geek out on those things because they give you information. We have boxes of stuff in our studio, which aren’t just on typography from a certain period but how that typography was painted on a wall. What sort of printing techniques were used and how do they show on a page, do they leave an impression? Being interested in the history behind something and researching it is key, as it’s all of those details that will help an audience believe that something is authentic. That is a trait that’s really hard to force that onto a designer. You’re either into that or your not, and when people are, it’s like they speak the same language.
Interactive media, including interactive films and television shows, allows viewers to make choices and shape the outcome of the story. Technology advancements make high-quality graphic design tools more accessible to a wider range of individuals, allowing designers to bring their creative visions to life. By staying versatile and adaptable, graphic designers can seize the opportunities presented by evolving technologies and contribute to groundbreaking and visually captivating storytelling.
Two people with a lot of answers are Miraphora Mina and Eduardo Lima, aka MinaLima, the graphic design duo tasked with bringing the wizarding world of Harry Potter to life. Having worked on all seven films between them, plus the subsequent Fantastic Beasts movies, Mina and Lima have made history with their designs, with the Daily Prophet and Marauder’s Map being just two of many hero props crafted by their very talented hands.
“Eduardo and I totally geek out on those things because they give you information. We have boxes of stuff in our studio, which aren’t just on typography from a certain period but how that typography was painted on a wall. What sort of printing techniques were used and how do they show on a page, do they leave an impression? Being interested in the history behind something and researching it is key, as it’s all of those details that will help an audience believe that something is authentic. That is a trait that’s really hard to force that onto a designer. You’re either into that or your not, and when people are, it’s like they speak the same language.
Empire of the Sun artwork
While the images allow increasing passages of time between events and the photographs that reflect on them – “made moments after the events they depict, then those made days after, then months, years and so on” – there settles in the pit of the stomach some unremitting melancholy, some unholy dread as to the brutal facticity and inhumanness of war. The work which “pictures” the memory of the events that took place, like a visual ode of remembrance, are made all the more powerful for their transcendence – of time, of death and the immediate detritus of war.
Conflict, Time, Photography is curated at Tate Modern by Simon Baker, Curator of Photography and International Art, with Shoair Mavlian, Assistant Curator, and Professor David Mellor, University of Sussex. It is organised by Tate Modern in association with the Museum Folkwang, Essen and the Staatliche Kunstsammlungen, Dresden, where it will tour in spring and summer 2015 respectively. The exhibition is also accompanied by a fully-illustrated catalogue from Tate Publishing and a programme of talks, events and film screenings at Tate Modern.
Another fascinating exhibition. The concept, that of vanishing time, a vanquishing of time – inspired by Kurt Vonnegut’s 1969 novel Slaughterhouse-Five and the Japanese photographer Kikuji Kawada’s 1965 photobook The Map – is simply inspired. Although the images are not war photography per se, they are about the lasting psychological effects of war imaged on a variable time scale.
While the images allow increasing passages of time between events and the photographs that reflect on them – “made moments after the events they depict, then those made days after, then months, years and so on” – there settles in the pit of the stomach some unremitting melancholy, some unholy dread as to the brutal facticity and inhumanness of war. The work which “pictures” the memory of the events that took place, like a visual ode of remembrance, are made all the more powerful for their transcendence – of time, of death and the immediate detritus of war.
Conflict, Time, Photography is curated at Tate Modern by Simon Baker, Curator of Photography and International Art, with Shoair Mavlian, Assistant Curator, and Professor David Mellor, University of Sussex. It is organised by Tate Modern in association with the Museum Folkwang, Essen and the Staatliche Kunstsammlungen, Dresden, where it will tour in spring and summer 2015 respectively. The exhibition is also accompanied by a fully-illustrated catalogue from Tate Publishing and a programme of talks, events and film screenings at Tate Modern.
Another fascinating exhibition. The concept, that of vanishing time, a vanquishing of time – inspired by Kurt Vonnegut’s 1969 novel Slaughterhouse-Five and the Japanese photographer Kikuji Kawada’s 1965 photobook The Map – is simply inspired. Although the images are not war photography per se, they are about the lasting psychological effects of war imaged on a variable time scale.